Watch The Monty Python Box Set Online

March 11th, 2010 by kamron719973
Watch The Monty Python Box Set Online. Watch The Monty Python Box Set Online.

Movie Title: The Monty Python Box Set
Average customer review:

The Monty Python Box Set is available for streaming or downloading.

Click Here to Stream or Download The Monty Python Box Set

There is only one reason to buy this repackaging of these three films - ‘And Now for Something Completely Different’, which is not available in a better presentation. Both the versions of ‘Monty Python and the Holy Grail’ and ‘The Adventures of Baron Munchausen’ are the worst possible presentations of these films available on video. In fact, ‘Baron Munchausen’ is the fist time that I have seen a wide screen film presented on DVD that was culled from a pan and scan video edition, re-framed as letterbox and then mastered to anamorphic. In this era of digital re-mastering in high definition for presentation in anamorphic as the de-facto standard for DVD releases, this edition is a travesty.

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Don’t buy it.

Monty Python are probably the best known sketch comedian ever. They made a tv show, Monty Python’s Flying Circus, and several hilarious movies.

AND NOW FOR SOMETHING COMPLETELY DIFFERENT

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Their first movie, which is a collection of their best skits from their tv show. This movie is hilarious. It includes The Lumberjack Song, The Dead Parrot Sketch, The Dirty Fork, and the World Funniest Joke.

MONTY PYTHON AND THE HOLY GRAIL

Their best movie. It’s about Arthur and his knights looking for the Holy Grail. This movie will make you laugh insanely. Funny moments include The Killer Rabbit, The Knights Who Say Ni, and The Black Knight.

THE ADVENTURES OF BARON MUNCHAUSEN

This movie is not a Monty Python film but was made by Terry Gilliam and co-stars Eric Idle, both of whom are former Pythons.

A must have for any Monty Python fan.

This set deserves the five stars and more. I recommend this to any Monty Python fan, British Comedy fan, or comedy fan in general. Too bad it didn’t inlude The Meaning Of Life or Life Of Brian.

Watch Roseanne: The Complete Ninth Season Online

March 8th, 2010 by kamron719973
Watch Roseanne: The Complete Ninth Season Online. Watch Roseanne: The Complete Ninth Season Online.

Movie Title: Roseanne: The Complete Ninth Season
Average customer review:

Roseanne: The Complete Ninth Season is available for streaming or downloading.

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Many people did not like the ninth season of Roseanne, but in its totality, I found it fascinating. The main problem was that it was clumsily written and directed, and that is mainly why I am giving it three stars. Let me warn you there are SPOILERS AHEAD.

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The season opens with Roseanne having retreated to Jackie’s house after a tremendous fight with Dan over lifestyle changes he will have to make for the sake of his health. He is in complete denial, and she lashes out in fear of losing him to a second heart attack. She spends the day parked on Jackie’s couch, watching TV and fantasizing about the various sitcom couples that she watched as a child. At the conclusion of the episode, Roseanne and Dan reconcile, Roseanne returns home, and Jackie watches the announcement of the winning state lottery numbers. Much to her surprise, she and Roseanne have won the 108 million dollar Illinois state lottery. This is where the series begins to make a slow turn from the show you have become accustomed to into something that resembles “Absolutely Fabulous, Midwest Style”.

The next major plot development is the cutting of the final rope that has been tethering this show to its former incarnation - the presence of John Goodman as Dan. Thus, in “Honor Thy Mother”, Dan decides that with his newly found wealth he should try to see if something more than just “warehousing” can be done for his institutionalized mentally ill mother, and he takes off to a clinic in California to see to this task.

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With Dan away from home and all the money in the world at her disposal, Roseanne takes the show on a series of fantasy episodes. First, the late Jim (”Ernest”) Varney stars as a prince who becomes enamored of Jackie after seeing her on TV and comes to town to woo her, then Jackie and Roseanne enter an expensive, exotic, and very oddball spa where they are subject to all kinds of torments that are supposed to invigorate body and soul, but just seem plain silly in many ways. The Halloween special makes clear what the audience has suspected all along - that Jackie and Roseanne have morphed into “Absolutely Fabulous”‘ Patsy and Edina, with the real stars of that show guest starring. Next, the Conners are invited to spend a weekend with the wealthy Wentworths on their Cape Cod estate. Apparently the Wentworths use pill-popping and overindulging in alcohol as a means of dealing with their personal problems rather than just “letting it out”, and Roseanne is more than happy to teach the family how to release their anger. Quite frankly, the fine art of temper tantrums is one thing I’ve always felt the uber-rich had down pat.

Next is an episode so bad that it is seldom shown in syndication, and has me asking “What WAS Roseanne thinking?” Of course I am talking about “Roseambo”. Seriously, this episode is “Ed Wood” bad. The villains in this episode are an ethnically diverse bunch, and yet they all have the same fake accent. There are two good jokes in this episode. The first is when the subservient middle-eastern women mumble through a choker and scarf and the subtitles don’t match the mumblings. The second good joke was when Roseanne was using such weapons as a set of hot rollers, dispensing with the terrorists one by one, and spouting parodies of action-movie tag lines such as “Avon calling!” after kicking down a door.

This ends the fantasy sequence part of the season, and the rest of the season is back in Lanford. The Thanksgiving episode is more oriented around family relationships, and thus there is an up-tick in quality. At Thanksgiving, Bev, Roseanne’s mother, makes a startling revelation about her sexual orientation. It doesn’t make much sense that Bev, divorced for several years, financially secure, and whose romantic trysts with men have been the subject of several shows in the interim, would come to such a self discovery in her 60’s or have been afraid to admit this fact about herself until this point. I think it would have been better to concentrate on the other announcement of this episode - that Leon and Scott are planning to adopt - and focus on the hardships and road-blocks that abound when they set off on that road.

Next, in “Home for the Holidays”, Dan returns to be home with the family at Christmas. There are happy moments - the Conners finally burn their mortgage - but at the same time, Dan seems uneasy and somewhat distant around Roseanne. At the conclusion of the episode we find out why, when Jackie overhears Dan on the phone talking tenderly to “another woman” - the nurse who is taking care of his mother in California. The next three episodes deal with the fallout of Roseanne finding out about the affair, confronting Dan about it, and mourning what seems to be the end of her marriage when she locks herself in her room and goes on a junk food binge. Although I really enjoyed these episodes as something that any woman who has been dumped for another could relate to, I found Dan’s actions to be completely out of character. Perhaps that is the point - maybe Dan stayed by Roseanne’s side through very bad times because he didn’t really have any broader horizons in life, and now that he knows that he has alternatives he is taking them, or at least flirting with them.

After a very mundane two-parter in which Roseanne uses her wealth to help rescue the Wellman Plastics factory that she and her sister worked in during the first season, come two of the season’s best episodes. First, in “A Second Chance”, Dan returns to Roseanne in an attempt to start over. The couple’s reunion is cut short when Jackie calls with news that Darlene has gone into early labor. “The Miracle” is one of my all-time favorite episodes of Roseanne. All medical intervention possible is used to stop Darlene from going into labor, but she does so anyway, and delivers a baby girl that even the medical experts Roseanne has retained say is too premature to survive. The episode shows us two things to which we are unaccustomed - David being strong and Darlene being overtly loving, vulnerable, and selfless. It’s truly great and yet heartbreaking seeing the two being a normal loving couple comforting each other and grieving over the probable loss of their child.

The next three episodes - “Roseanne-Feld”, “The Truth Be Told”, and “Arsenic and Old Mom” are light-hearted comic romps that are OK but ultimately forgettable. However, the two-part series finale is excellent. It starts out somewhat slow, the premise being that the Connors and their friends are gathering for a celebration as Darlene and David bring their baby home from the hospital. But in the final ten minutes, through Roseanne’s monologue, we learn that what we think we are seeing and have been seeing for the last seven years is actually a novel written by Roseanne based loosely on the truth. All of the characters do exist, but not as they have been portrayed in the show/novel. We also find out that Roseanne has recently experienced a horrendous personal loss rather than a tremendous financial windfall. This loss has caused Roseanne to throw herself into finishing her novel in the basement office that her family first set up for her at the conclusion of season two, where she hatches the state lottery storyline as a conclusion to the book she has been working on for seven years. We then see her finish her novel, put it aside, go into the living room that has the same drab furnishings from the previous seasons, and sit down to watch TV - alone. It was all very touching.

I guess since I have been hypercritical of more than a few of the individual episodes, some might wonder why I am giving this season a three star rating. I actually did not like this season during its initial run, but on repeated viewings it has grown on me. Standing all by itself it would truly be dreadful. However, you have to remember that by the conclusion of the eighth season, just about every issue between the various Conner family members had already been tackled and the show had become stale, so that there were really only two options - end the show at that point, or take it in an entirely different direction, which is the choice that was made. Thus, taken in contrast with the previous eight seasons, and especially the very mundane eigth season, I really liked the ninth season for the chances it took.

You also have to look at this season in the context of Roseanne’s actual life. By the ninth season, the show had gradually been losing that genuine quality of a real working-class family for a couple of seasons at least in part because, by 1996, Roseanne herself had not been living a blue-collar lifestyle for over a decade. Thus it probably became increasingly difficult for her to inject something into her work that was becoming a distant memory for her. It was probably much easier for her to do something she knew - play a woman with a blue-collar background who comes into sudden wealth. I’m subtracting two stars mainly because the production quality could have been much better even given the exact same storyline. There should have been more effort put into the delivery of lines, and some episodes came off as unrehearsed and hurriedly thrown together. Plus, it really saddened me to see Laurie Metcalf’s character of Jackie change from a delightful bundle of unpredictable neuroses into a sidekick with a Barney Fife-like quality. You have to ask yourself, though, do you actually believe that people would still be talking about this show if it had gone out with a whimper after its eighth season instead of taking the bizarre turn that it did in its ninth and final season? I seriously doubt it. Thus, I do recommend this DVD set to any Roseanne fan, especially if you are familiar with the previous eight seasons. Just prepare yourself for more than a few cringe-worthy moments of TV viewing.

I loved “Roseanne” because it was such a funny and realistic sitcom. There has never been a TV show that has portrayed such a true American family. My family was just like the Connors and I am certain there were millions of families just like this around the country. Why was Roseanne so shocking? This was the first time an actress had total creative control over her show. There wasn’t a man telling Roseanne what to do. She set her own rules. Then she broke every one of them!

In my humble opinion “Roseanne” peaked in Season 5 (1992/1993 season, when Becky left.) The shows during that season were so on the money because everyone could relate to Roseanne’s problems. I especially loved the show when Roseanne’s father passed away; it was so funny but also very touching. And the one with Loretta Lynn was so funny.

It seems like after Season 5 all the eps of “Roseanne” were downhill. There were some excellent shows after that, but with each passing season “Roseanne” got progressively worse.

Roseanne is as American as Apple Pie, but what’s up with Season 9??? By Season 9 “Roseanne” was horrid. I can’t name a single ep from this season that is halfway edible. They are all so incredibly unfunny, uninteresting, boring and rather painful to watch. All the storylines were pointless because by now I (like many die-hard/loyal viewers) lost interest in the show; but I never lost faith in Roseanne.

Besides Rosey and her family, my favorite character was Nancy. Sandra Bernhard was the perfect actress to play Nancy Bartlett because who else can look and sound more trampy than her? Nancy was a kook but she also had a very sweet side to her; this was only revealed if you looked very closely. Unfortunately, Nancy was rarely seen by Season 9, though. I remember reading that Roseanne was angry that Sandy discussed one of her failed marriage on a late-night talk show. Maybe Roseanne was punishing Nancy by confining her to the same purgatory that banished Crystal Anderson-Conner from the show?

I was never crazy about Leon Karp (Martin Mull) and Scott (Fred Willard.) They were in way too many shows during the last season. Why? No one was interested in these two. And they were such a cliche of what people think the typical middle-aged [...] couple is; but they were never even remotely funny. And, I never understood why Roseanne always tried to go out of her to way to include [...]-themes on her show. This show is based on her own life. In her personal life Roseanne doesn’t associate with [...] people and she is far from being a [...] icon. She is just a domestic artist that was able to turn her life into something very funny and amazing.

The last episode of “Roseanne” was a special hour-long program. There were a few good scenes on the last show. I liked that Roseanne included all of her supporting cast (not just the main stars) in the last ep. Because it added a touch of realism and closure. Of course in syndication and on Nick @ Nite these last 2 eps are butchered beyond recognition.

Here’s all the eps from Season 9:

Call Waiting 9/17/1996

Roseanne goes on a spiritual journey in front of the TV, after walking out on her husband.

Millions from Heaven 9/24/1996

The Connor family wins the lottery.

What a Day for a Daydream 10/1/1996

The Connors go on Jerry Springer.

Honor Thy Mother 10/8/1996

Dan leaves to take care of Audrey, his mom.

Someday My Prince Will Come 10/15/1996

Jackie’s Prince (played by the late “Earnest” star Jim Varney) whisks everyone away to NY.

Pampered to a Pulp 10/22/1996

Jackie and Roseanne go to a spa.

Satan, Darling 10/29/1996

Foolish Halloween ep.

Hoi Polloi Meets Hoiti Toiti 11/12/1996

The gang all visit the snobbish Wentworths.

Roseambo 11/19/1996

Rosey battles terrorists.

Home is Where the Afghan Is 11/26/1996

Roseanne misses Dan during Thanksgiving.

Mothers and Other Strangers 12/3/1996

Bev visits Nana-Mary to find out who her real father was (this is such a pathetic storyline!)

Home for the Holidays 12/17/1996

Dan comes home for Christmas and seems a little distant and cold.

Say It Ain’t So 1/7/1997

Dan reveals to Roseanne that he was more than friends with one of Audrey’s nurses (another pathetic storyline!)

Hit the Road, Jack 1/14/1997

Roseanne drives around Landford in her new Benz drowning her sorrow in fast food.

The War Room 1/28/1997

Everyone is concerned when Roseanne takes to her room and won’t come out.

Lanford’s Elite (1) 2/11/1997

Rosey meets Edgar Wellman, Jr. at a first-class party.

Some Enchanted Merger (2) 2/11/1997

Roseanne develops an attraction to Edgard Wellman, Jr.

A Second Chance 2/18/1997

Roseanne and Dan try to fix their marriage.

The Miracle 2/25/1997

Darlene gives birth.

Roseanne-Feld 3/4/1997

Bev introduces Leon and Scott to her new lesbian-lover, Joyce. Meanwhile, Jackie and Mark go to a wrestling match.

The Truth Be Told 3/18/1997

Producers from network and cable channels want to do a movie about Roseanne.

Arsenic and Old Mom 5/13/1997

Audrey, Dan’s mom makes a rare visit to Landford.

Into That Good Night (1) 5/20/1997

Darlene brings the baby home from the hospital.

Into That Good Night (2) 5/20/1997

Everyone celebrates the birth of Darlene’s & David’s baby. Roseanne reflects on her life and family.

Streaming Halloween Online

February 25th, 2010 by kamron719973
Streaming Halloween Online. Streaming Halloween Online.

Movie Title: Halloween
Average customer review:

Halloween can be downloaded right now.

Download this movie now

Click Here to Stream or Download Halloween

Halloween. What a perfect title for a Horror movie. It’s hard to believe back in 1977 that there had never been any movie, let alone a Horror film, that incorporated that title. And what good usage it got. Written, directed, and even musically scored by John Carpenter (with great assistance by then girlfriend Debra Hill), this was truly a film that brought Horror to it’s roots, leaving an impact that only George Romero’s Night Of The Living Dead did ten years earlier. Showcasing a deranged killer by the name of Michael Myers who in childhood murdered his sister in cold blood on Halloween night, only to escape his asylum to return to his Illinois home to hunt down babysitter (and eventually known little sister) Jamie Lee Curtis 15 years later, was truly an amazing film that never exploited the genre, keeping the imagination and terror flowing within the viewers mind rather than blatantly on the screen. For it’s time it was the number one profitable independent film ever made, and after almost thirty years, it still terrifies and never grows old. A true classic film. Every single DVD collector should own it….

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But which one?

Not in the sense of sequels, but rather in which version of the original should you add to your collection. You see, this film has had the DVD distribution rights by Anchor Bay Entertainment (now known as Starz), and they have re-released this classic now a total of six times. So I would like to compare the two most popular versions to see which one should be for you, the “Restored” or the “25th Anniversary”

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Starting with the “Restored” version, this DVD was authored way back in 1999. However, it was personally restored by Halloween original cinematographer Dean Cundey, trying to preserve as much of the look of it’s original theatrical run. This version has been released a whopping three times. But for the film’s “25th (2003) Anniversary”, Anchor Bay remastered the film yet again for another release “Halloween 25″, this time taking the remastering process in their own hands, something of which Cundey was not happy with. You see, comparing the two’s video, you’ll notice that each are different. One point is brightness and sharpness. In the Cundey version, overall picture is dark and not as sharp while for 25 the white levels have been raised and it’s overall color saturation has been lowered. To me, while the original with it’s dark blue hue running throughout looks good, at times it’s hard to see certain shots in the dark. The 25th version has fixed that, even going as far as making the film look more natural. As for sharpness, the 25th beats it by far. Audio wise, each film seems on the same level, so a tie there, but it’s the video that should be considered when purchasing: the Cundey-more true to the original film/the 25-a sharper, more realistic picture.

Next would be the use of the disc space. Restored is one of those discs that wanted to cater to the early 2000’s audiences of giving them both a widescreen and a fullframe on the same disc. Because of this, the bitrate is pretty small for both presentations. However, the 25th is a 2 disc set that only offers on Disc One the Widescreen presentation, and it’s Divimax as well. But to be honest, it’s bitrate isn’t up to say Superbit quality. It’s better, but with a total of four audio tracks to choose from, the entire dual layer disc is only used by 75%, and that other 25 could have went to more video bitrate, but alas it’s not. But to me, the bitrate still is higher on the 25, not to mention it’s compression is four years younger than Restored, so 25 wins again.

Finally is Extras, Restored has a 30 minute documentary called Halloween Unmasked 2000, narrated by Twisted Sister’s Dee Snider. Why is he on here than just being a popular fan, beats me. But on 25’s second disc is a whopping 87 minute documentary called A Cut Above The Rest which expands on the original and gives much greater detail on the film. 25 also includes another ten minute featurette called On Location, going back to view all the houses and such that were used in the film that Restored does not include either. And if that wasn’t enough, 25 has the original Laserdisc commentary by John Carpenter with additional vocals with Jamie Lee Curtis and Debra Hill. This might be the best extra 25 has over Restored, because it’s got to be one of the most personal commentaries I’ve ever heard. Carpenter doesn’t hold anything back, a must listen. And sure, both have the same trailers, TV Spots, and such, but again to me 25th Anniversary wins this one too.

But the main reason why I’m writing all this is because back in 2007, Anchor Bay decided to stop releasing the 25th Anniversary and instead re-issue the Restored version. Why, I’m not sure. Dean Cundey was never happy with 25, and maybe his name on the back of Restored’s box was a selling-point, I don’t know. Maybe the 25’s cover was confusing buyers because it looks a little like sequel H20’s version? But I do know for your money, the 25th Anniversary is still the best way to go. What’s sad is to celebrate the 30th Anniversary of the classic film, Anchor Bay is yet again double-dipping it’s audience by releasing a six disc collection featuring Parts 1, 4, 5, the NBC-TV edit, the 25 Years Of Terror special and a Blu-Ray version of the original. But again, both the DVD and Blu-Ray (BD version rumored to be a video-hybrid of both) are from the 1999 Cundey master (but the Blu does have the Cut Above special and commentary too). It would have been nice if the DVD was the 25 so fans could have both versions, but no, 25th Anniversary seems lost now.

In conclusion, if you want the best overall 1978 Halloween package, go with the 2003 25th Anniversary Edition. More extras, a more realistic picture, and a commentary to die for. Ratings-wise then from me is:

Restored: (8.5/10)

25th Anniversary: (9.5/10)

Thanks for reading,

RedSabbath

This new, Extended version of Halloween is something no fan should be without! 12 minutes of additional footage (4 scenes) has been put into the original version, and the result is awesome. These scenes were not deleted. They were really shot in 1980, when the film was released on cut TV. The scenes were shot using the cast and crew of Halloween II (another must see!) and directed by John Carpenter, himself. These scenes include:

#1 A very well made scene where Dr. Loomis (Doneld Pleasance) has an intense conversation with two sanitarium officials. He begs that they move Myers to a maximum security ward, saying that the boy is dangerous and has an instinctive forsce within him. The officials are unimpressed by what Loomis says, and simply keep Myers in the minimum security ward.

#2 A scene directly following the previous added scene. Loomis walks into young Michael’s cell. For about 1 minute he simply stares at the boy, who stares out the window. Loomis then says “You’ve fooled them, haven’t you Michael? But not me!”

#3 This scene is after Myers escape. Loomis walks with a nurse into Michael’s room, which is completely trashed. The nurse shows him that the word “Sister” is carved in the door. (If you’ve seen Halloween II, then you know what this means).

#4 This final additional scene is my personal favorite. In this scene we get a bit more of Jamie Lee Curtis, a bit more of PJ Soles, and a bit more of Nancy Kyes/Loomis. Lynda (Soles) comes over to Laurie’s (Curtis) house, and they have some girl chat. Then, Annie (Kyes/Loomis) calls and asks (unsuccesfully) if she can borrow some of Laurie’s clothes.

I really love this new version of Halloween. It just feels more complete. I know that these scenes WERE NOT in the original version, but it’s way better off with them in there. John Carpenter has said he hates these scenes (as some other reviewers may tell you) but that is HIS opinioun. I love these scenes. They make the movie make a bit more sense. For example, the scene wher Loomis fights with the officials really shows how hard he tried to get them to move Michael. Later on he talks about how much he tried to get them to move him, and this added scene shows you how right he is. The scene with “Sister” really helped connect this to the 2nd (making a great double feature). And the scene with Lynda, Annie and Laurie shows a bit more of their personal lives. Awesome. This version was only available on either the two tape Special VHS editions (where they were AFTER the movie) and on the THX Two Disk Anchor Bay Limited Edition (which is 150 bucks to buy on Amazon used!). I tried really hard to find that two disk limited edition, but I was to late. So this here DVD is like a dream come true. Thank you Anchor Bay! I suggest (unless you have the two disk version) that you buy one now, before it, too, goes out of stock!

Halloween is Rated R for Small Violence, Brief Nudity, and brief Language. The new scenes contain nothing to offend parents who were OK with their kids watching the other version.

If you found my review helpful, be sure and give me a vote! Thank you!

Baby’s Day Out Streaming

February 20th, 2010 by kamron719973
Baby's Day Out Streaming. Baby’s Day Out Streaming.

Movie Title: Baby’s Day Out
Average customer review:

Baby’s Day Out is available for streaming or downloading.

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BABY’S DAY OUT is utterly ridiculous and preposterous, but it’s also entertaining and has some real moments of hilarity. Joe Mantegna, Brian Haley and Joe Pantoliano are perfect as the modern three stooges who kidnap the baby of a wealthy family, but lose the baby and go on a rampage to rekidnap the tyke. With some fun special effects, improbable scenarios and slapstick humor, the movie is wildly entertaining. The scene where Joe Mantegna is trying to protect his private areas from the baby’s lighter is priceless. Haley is especially funny as the big oaf and Lara Flynn Boyle, Cynthia Nixon and Matthew Gleve add fine support. It’s all mindless but it’s so funny who cares??

Really a good family movie–our 6 and 3 1/2 year olds love to watch again and again–and we don’t mind not having to listen to Pokemon and Barney, either (at least for a few hours!)

Belly of the Beast Movie Streaming

February 16th, 2010 by kamron719973
Belly of the Beast Movie Streaming. Belly of the Beast Movie Streaming.

Movie Title: Belly of the Beast
Average customer review:

Belly of the Beast is available for streaming or downloading.

Click Here to Stream or Download Belly of the Beast

Best:

1) Steven Seagal gets back to his eastern martial arts roots.
2) The shoot-’em-up scenes were sweeping and included lots of people.
3) The girls held hostage weren’t just whimpering kittens waiting to be rescued.
4) The acting, dialogue and editing was smoothly done.

Worst:

1) The hero characters seem to have supernatural abilities when it’s cool to watch, then lose it whenever the filmmakers choose.
2) Seagal relied heavily on a stunt double for many of the fight scenes.
3) There are no special features on the disk.

Recommendation:

If you’re a big action and/or martial arts fan, you’ll definitely want to see this one at least once. If you often rewatch movies like this, you’ll want to buy it. The lack of any special features, however, is a big factor in deciding that the going price may be too high for some people.

In the late 1980s and early 1990’s, it looked as though Seagal would join the ranks of Hollywood’s top action stars. You would hear his name in the same sentence with Arnie and Stallone, no small feat indeed. And to a large degree, Seagal’s films deserved the comparison. “Under Siege” was a winner, as were “Hard to Kill” and “Above the Law.” The actor’s greatest appeal isn’t hard to fathom; Seagal embraced a brutal form of martial arts that, at least onscreen, allowed him to slap down thugs, break bones, and wreak massive havoc without batting an eye. Literally, Seagal would stand in place and put down one goon after the other with an ease that looked not only natural but also realistic. I still enjoy watching that pool room scene where Seagal’s character used pool cues, billiard balls, and whatever else he could lay his hands on to put out the trash. Alas, how the mighty have fallen. The early 1990s may as well be ancient history as far as Steven Seagal is concerned. Although he’s still capable of making a few moderately entertaining films, which “Belly of the Beast” ultimately is, far too often we’re seeing movies like “The Foreigner” and “Ticker.”

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Seagal plays international man of mystery Jake Hopper, a guy who used to work for the CIA, the DEA, the FBI, or a dozen other intelligence gathering agencies–take your pick. As the movie opens, we see Hopper and his partner Sunti (Byron Mann) setting up a bunch of drug dealers in Thailand. Something goes wrong, probably a double cross, and the two agents must fight their way out of the building. In the process, Sunti accidentally kills a mother holding her infant child. He’s so torn up over the incident that he goes off to join a Buddhist order, presumably leaving Hopper partnerless and a little lonely. Flash forward ten or so years. Hopper now works as a freelance operative, the sort of guy the agencies come to when they need a safe broken into. The only thing that matters to our hero is his lovely daughter Jessica (Sarah Lane), but tranquility shatters when a radical Islamic terrorist cell called the Abu Karaf abducts Jessica and a Senator’s daughter. Abu Karaf sends a videotape of the two girls to the government, threatening to kill them if the authorities refuse to release a few prisoners. Predictably, Jake Hopper vows revenge for this horrible injustice. He goes on a series of rampages throughout the Far East in an effort to find his daughter.

Hopper suspects that someone other than the Abu Karaf is behind the kidnapping of his daughter, so he brings back Sunti from the Buddhist sabbatical for back up. The two men run into all sorts of problems. On a mission to track the whereabouts of the Abu Karaf, Hopper and Sunti touch off a gang war during an arms deal turned suddenly bad. Then there is a serious sword fight with a bunch of ninja type thugs in a warehouse. Hopper learns that General Jantapan (Tom Wu) and a cross dressing martial arts expert are the ones responsible for his current troubles, so he heads after them with guns blazing. All the while, Jake Hopper presents the American authorities with a dilemma. Our government is running an operation to free the girls, but Hopper keeps getting in the way. The conclusion to the film looks like it came right out of “The Matrix,” as Seagal’s character battles for his daughter’s life. There are super slow motion arrows and bullets whizzing through the air, bodies suspended in mid jump, millions of rounds of ammunition expended, and even shell casings clattering on the pavement. We even get some sort of super magic fight between a group of Buddhist monks and some Hindu witchdoctor. Sure it sounds ridiculous, but it is entertaining.

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Compared to Seagal’s dreckfest “The Foreigner,” “Belly for the Beast” is an Oscar candidate. The performances aren’t terrible, the action is steady and decently choreographed throughout, and the settings look authentic. Still, I couldn’t help but notice a few problems. One concerned the rapidly expanding bulk of Steven Seagal. Fans of the man have long commented on his deteriorating physique, and this problem is fully apparent in the movie. At one point, Seagal’s character slides along the floor in order to stay out of sight during a burglary. I laughed heartily at both the expression on his face and the sneaking suspicion that someone just off frame was pulling him on a wire. And that scene where he takes a bottle of water out of the refrigerator! Oh brother! Seagal looked like a television repairman lumbering around the house. Another problem centers on some of the illogical plot problems. For instance, why did the CIA guy help Hopper get out of jail? His orders were to keep Seagal’s character out of the way, which a short stint in the stir would have accomplished. But there’s the CIA guy watching him walk off. It probably has something to do with Hopper being too cool to keep under lock and key because he’s SEAGAL. Hear him roar!

If you’re interested, the extras on the disc consist of a bunch of trailers for films like “Returner,” “The Foreigner,” “Belly of the Beast,” and “Out for a Kill.” While this film cannot compare to early Steven Seagal actioners, it does stand on its own as a rather decent flick. It’s derivative, full of action film cliches, and tries to pass off an overweight fifty year old as a spry intelligence operative full of take no prisoners bravado, but what else were you expecting? By the way, did you hear they are thinking about making “Under Siege 3″? Hopefully, Seagal will shed some pounds before starring in that one.

Best Reviews Of Dodgeball - A True Underdog Story

February 3rd, 2010 by kamron719973
Best Reviews Of Dodgeball - A True Underdog Story. Best Reviews Of Dodgeball - A True Underdog Story.

Movie Title: Dodgeball - A True Underdog Story
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This movie was awesome! The stars, Vince Vaughn and Ben Stiller, are hilarious. The plot is a little… lame (Vince Vaughn’s gym is going to be bought by Ben Stiller’s, unless he can get enough money to keep the gym; one of the members of the crappy gym suggests they go into a dodgeball tournament.) but it makes up in its hilariousness. Just the characters are funny; there’s one who thinks he’s a pirate, another wants to impress a girl by going on the cheerleading team. In one part, they get the wrong box of team uniforms, and… well I won’t tell you’ll have to see. Basically this whole movie is funny, so see it!

I’m a little annoyed with all of the negative reviews for this movie, considering it is the funniest movie I have seen for a while. People are forgetting what a comedy’s purpose in life is; to make people laugh. I was sitting in a large movie theater, full of people, who of all things, were laughing.

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Ben Stiller plays a character, that yes, we may have seen before, but that’s because he does it well. It works. Vince Vaughn plays your average joe, with an army full of hilarious sidekicks, what more do you need? How about some of the best cameo appearances I’ve seen. People need to stop thinking so much when they go to movies like this….just sit back and enjoy it! It’s not going to change the world, but it made quite the impression on me!

Area 88, Vol. 4 - Wings of the Wind Movie Streaming

January 25th, 2010 by kamron719973
Area 88, Vol. 4 - Wings of the Wind Movie Streaming. Area 88, Vol. 4 - Wings of the Wind Movie Streaming.

Movie Title: Area 88, Vol. 4 - Wings of the Wind
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Area 88, Vol. 4 - Wings of the Wind is available for streaming or downloading.

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So I’ve been a big fan of Area 88 ever since the original anime came out in the 80’s. It had a gripping plotline, superb character development, and great combat scenes. Too bad they made only one of the three volumes into a DVD.

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I was extremely elated at the news that ADV films was going to remake Area 88. After I watched the entire series, I must admit that I was a little disappointed, but found it still very entertaining to watch, and that’s the reason why I still give it a 4.

There were a couple of things about the new series that I did not like. First of all, the original series was rated MA, meaning it was meant for the mature viewers. The blood, violence, nudity, and language all added to the dark, desperate tone of the original series. However, with the new Area 88 series, the rating was a TVPG. Not even a TV PG-13. Wow, this change took a lot out from what I believe the original creator had intended. I felt like it was a watered-down version of the original series.

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Secondly, the new series had new characters and left out some of the old characters from the original series. I actually liked the new characters a lot. They added a lot to the plot and discreetly revealed some key elements about the main character, Shin Kazama. However, the mere fact that some of the original characters were taken out infuriated me. They had contributed so much in terms of character development and unfolding of some of the mysteries in the story.

Having said that, I do not want to judge this series in comparison to the original series. Instead, I rate it on its own at 4.

I still recommend watching this anime. It’s a great series.

There are only 3 ways out of Area 88. The first is in a bodybag. The second is to serve out your 3 year tour of duty. The last is to raise $1.5 million to buy your way out. You get a bounty for every enemy plane you down, but the pilot’s ammunition and maintenence of their jet takes up a lot of money so the odds are stacked against that option. In this last volume, Shin Kazuma has scaled that mountain and only needs to shoot down one more fighter craft. Then he can go home to his beloved Ryoko and live happily ever after, remembering Area 88 only in bad dreams. Shin is usually on the ball when he’s up in the air, but knowing he only has to take down one more plane puts a lot of added pressure on him. He also has visions of Ryoko dancing through his mind (not literally). This distraction almost costs Kitri her life during a dogfight and Shin’s jet takes some damage. Shin is resigned at first to the delay in his liberation, that is, until he finds out Ryoko is getting married to his former best friend who also happens to be the dude that got him shipped out to Area 88!

Back in the day Viz partially published the original manga upon which this anime is based. It was before the Tokyopop innovation of cheap and original size manga so the Area 88 volumes were those huge trade paperbacks Viz put out for $16 or so. The reason I bring this up is because as I watched the anime I couldn’t help but feel that it was only scratching the surface of a much larger story. I didn’t think we got much time to get to know the characters or to find out more about the war they were fighting. That’s right, even after the series ended, I still didn’t know much about the political situation or what brought the conflict about. I don’t think I ever even saw the face of an enemy soldier. I guess maybe that was the show’s intention, but I doubt that it was the case in the manga. From what the cast and director said about the manga, the original creator was very much influenced by shojo character designs. I would really like to read them, but Viz isn’t exactly famous for putting out old series. Maybe under their “Signature” line? I guess I’ll see if I can track some of them down on Ebay.

I wish the show had been longer. Even with its brevity, I still really enjoyed it. The mysterious nature brought about by the shortness made the characters even more appealing, if that makes any sense. There is also an OVA collection from ADV that is readily available. I guess I’ll be hunting that down next.

Why you should watch Jumpin’ Jack Flash

January 22nd, 2010 by kamron719973
Why you should watch Jumpin' Jack Flash. Why you should watch Jumpin’ Jack Flash.

Movie Title: Jumpin’ Jack Flash
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I am sooooooooooooooo happy that one of my all time favorite movies has finally come out on DVD. I love this movie so much. It’s one of the funniest movies I’ve ever seen. Every time it comes on TV, I watch it like it’s new. My favorite scene is when she dresses like one of the supremes and she gets her dress caught in the shredder, I laugh so hard at that point. Please, if you haven’t seen this movie, it is a must have, cause it is unbelievably funny.

“Jumpin’ Jack Flash” is a GREAT movie filled with hysterical lines and a zany cast. This is almost a cult classic and it is a tragedy that the movie isn’t on DVD ! Why, just the fact that Whoopie is in it would make it sell great and there are at least two generations missing out on this film that would go nuts for it… MY poor VHS copy is almost worn out and there are so many delightful quips and lines in this film, almost nothing puts me in a better moood ! (”Get yourself an office - with a desk and a lamp !”) PLEASE come to your senses an put this little gem, for its 20th anniversary at least, onto DVD !

Download TCM Spotlight: Esther Williams, Vol. 2

January 22nd, 2010 by kamron719973
Download TCM Spotlight: Esther Williams, Vol. 2. Download TCM Spotlight: Esther Williams, Vol. 2.

Movie Title: TCM Spotlight: Esther Williams, Vol. 2
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TCM Spotlight: Esther Williams, Vol. 2 is available for streaming or downloading.

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It is expedient to recognize that Esther William’s films that did not compose Volume 1 of her DVD collection are being given a general release with lots of extras rather than being build on DVD-R into the Warner Archive. The Archive is a wonderful belief for obscure films in which visuals are not that distinguished - Marie Dressler’s films of the early 1930’s are marvelous examples of such films - but Esther’s Technicolor musicals needed to be restored to their modern visual splendor to be appreciated. The following is the press release for this film indicating extras, costars, and brief place outlines.

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Million Dollar Mermaid (1952)

Esther Williams portrays real-life Australian swimming champ Annette Kellerman. Directed by Mervyn LeRoy and costarring Victor Ancient, this film was nominated for Best Color Cinematography. The movie includes a Busby Berkeley choreographed water ballet extravaganza. This is considered to be Esther’s signature film.

BONUS FEATURES:

AUDIO ONLY: Lux Radio Theater Presentation of Million Dollar Mermaid starring Esther Williams and Walter Pidgeon

Buy,Download, Or Stream TCM Spotlight: Esther Williams, Vol. 2! Click Here

Classic M-G-M Tom & Jerry Cartoon The Puny Wise-Quacker (1952)

Classic M-G-M Short Subject Reducing (1952)

Original Theatrical Trailer

Thrill of a Romance (1945)

Van Johnson and Esther Williams star. The film include performances from Tommy Dorsey and his Orchestra and operatic grandeur from distinguished Wagnerian tenor Lauritz Melchior in his film debut.

Newlywed swimming teacher Cynthia Delbar (Williams) has everything a girl could want for her honeymoon in the mountains. The only thing missing is her tycoon groom, who is in DC closing a deal. A lovely heart-broken area - until a good-looking war hero staying at the hotel decides he needs swimming lessons.

BONUS FEATURES:

Outtake Musical Numbers:

Gypsy Mattinata (Lauritz Melchior)

I Should Care (Tommy Dorsey and his Orchestra)

Please Don’t Say No (The King Sisters)

Classic M-G-M Short Subject The Sizable American Mug (1945)

Classic M-G-M Tex Avery Cartoon Wild and Woolfy (1945)

Original Theatrical Trailer

Easy to Adore (1953)

With the Cole Porter classic as the title tune, Esther Williams and Van Johnson star in their fifth film together. Julie Hallerton (Esther Williams) knows how to obtain the affection of indifferent Ray Lloyd (Van Johnson) : Be his office secretary; be the star of his Florida aquacade and the heart’s desire of a Manhattan crooner to execute Ray jealous. Tony Martin lends his level-headed vocal styling; Busby Berkeley guides Esther’s aquatic routines, including a legendary sequence exciting Florida’s Cypress Gardens, dozens of water skiers, ramps, pyramid formations, gushing geysers, a helicopter, a trapeze and Esther in the air. Also effect that this is Carroll Baker’s camouflage debut.

BONUS FEATURES:

Classic M-G-M Short Romantic Riviera (1953)

Classic M-G-M Barney Hold Cartoon Cobs and Robbers (1953)

Original Theatrical Trailer

This Time For Keeps (1947)

This musical is centered on Esther’s romance with an ex-GI (Johnnie Johnston) . Settings include Michigan’s Mackinac Island, with considerable supporting stars providing specialty numbers. Illustrious tenor Lauritz Melchior brings his artistry to La Donna E Mobile, Xavier Cugat is there (with signature tea-cup Chihuahua at hand), and Jimmy Durante dismantles his piano.

BONUS FEATURES:

Outtake Musical Number: Dinky Grand Shot (Jimmy Durante)

Classic M-G-M Short Subject Now You Peer It (1947)

Classic M-G-M Tom & Jerry Cartoon Dr. Jekyll and Mr. Mouse (1947)

Original Theatrical Trailer

Fiesta (1947)

Williams portrays Maria, disguising herself as her twin brother Mario (Ricardo Montalban in his first credited U.S. film) and enters the ring in his state after he abandons bullfighting for classical music studies. The get was Oscar-nominated (including a restyling of Aaron Copland’s “El Salon Mexico”) . Cyd Charisse plays Mario’s partner in dance and romance.

BONUS FEATURES:

Classic M-G-M Short Goodbye, Miss Turlock (1947)

Classic M-G-M Tex Avery Cartoon Hound Hunters (1947)

Original Theatrical Trailer

Pagan Fancy Song (1950)

Esther Williams and Howard Keel star.

Half-Tahitian beauty Mimi Bennett (Williams) is fervent to leave the easygoing life of Tahiti for the excitement and accelerate of the United States. But when Ohioan Hazard Endicott arrives to manage his gradual uncle’s coconut plantation, her recede plans may be delayed.

BONUS FEATURES:

Seven Deleted Musical Outtakes:

Why Is Treasure So Crazy

Sea of the Moon

Tahiti Version One

Tahiti Version Two

Music on the Water Version One

Music on the Water Version Two

The House of the Singing Bamboo

Classic M-G-M Cartoon The Chump Champ (1950)

Classic M-G-M Short Subject Spirited Contests (1950)

Original Theatrical Trailer

End of press release.

These six musicals are usually very light in residence, involve exotic settings, and have plenty of opportunities for musical interludes besides Esther’s water ballets, which are lovely. The time of Esther William’s peak popularity was a time of upheaval for MGM, which is where these films were made. After the war, MGM began a downward spiral brought on largely by the competition of TV but also by MGM’s inabilities to conform to the public’s changing tastes. One station where MGM continued to do well was in their musicals, at least until the slack 1950’s, and Esther’s films were among their peak product in this department.

Thanks so grand to TCM and Warner Home Video for producing the long overdue and considerable anticipated second volume of Esther Williams films.

I am thrilled that “THRILL OF A ROMANCE” (no pun intended) is included - my all-time favourite Esther film.

This lady has brought continuous joy and pleasure to millions of people with her warm, spirited personality and friendly swimming and athletic talents and the films all boast fine music scores and songs, and many other talented players.

The films were originally produced when Metro Goldwyn Mayer was at its zenith, providing the world with savory family and general entertainment.

Much appreciation also to the previous Reviewer who has provided us with all the feast of information about the very estimable extras on the individual DVD pressings.

WELL DONE!

Watch Fellini - I’m a Born Liar on PSP

January 16th, 2010 by kamron719973
Watch Fellini - I'm a Born Liar on PSP. Watch Fellini - I’m a Born Liar on PSP.

Movie Title: Fellini - I’m a Born Liar
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As a professional film editor and Fellini enthusiast (I believe over 150 scholarly texts on Fellini published in English, Italian, French, German, Spanish, and Portuguese), I feel well equipped to assess whether a documentary on Fellini is noteworthy or mediocre. I have viewed this film several times on DVD and conducted extensive research on the indispensable reviews it received in America and internationally. In my concept, I’m a Born Liar is a great feature-length gape that takes the scholarship of Fellini and his complex personality forward in many subtle ways. There are several reasons for this assessment but I would like to portion the seven most famous points with Amazon readers:

1) Anyone with a righteous knowledge of the big director’s work will be impressed by the improper rigor enthusiastic in “the paring down to essentials” that this film displays: and it does so without sacrificing stutter or clarity. 2) It is strikingly edited by one of France’s best editors, Florence Ricard (she won the coveted French `César’ for her work on Microcosmos) . Ricard not only tailors the rhythm to grasp Fellini’s physical presence in long sequences filmed with two cameras, she deftly manipulates the interviews and archival footage so as to interact with the film clips in such a plan that meaning is blended with ambiguity, a cinematic quality that Fellini himself would have appreciated. 3) Lavishly produced, the film is an archival goldmine. It exploits haunting imagery of past film locations interwoven with film clips and rare documentary footage rescued from the archival obscurity of Europe’s major television networks. These lengthy clips showing the Maestro at work are a major attraction that will appeal to experts and novices alike. Footage includes behind-the-scenes of Satyricon, Amarcord, City of Women, Juliet of the Spirits and Casanova as well as a extraordinary scene left on the cutting room floor where Donald Sutherland (Casanova) leans forward to kiss a Moor. An uncanny sense of poignancy builds as we ogle even rarer footage of Mastroianni on the situation of La Dolce Vita and realize that the interviews with Fellini are the last recorded before his untimely death in Rome on October 31st 1993. (To my knowledge, there is no DVD on the market that offers such varied behind-the-scenes footage or exceptional ephemera as the newly discovered portrait of Fellini as a baby.) 4) I’m a Born Liar is an internal monologue of a movie (which is why clips and interviewees are not identified until the extinguish credits) whose main theme is Fellini’s obsession with women to the detriment of his long-suffering wife, Giulietta Masina. Marriage and infidelity are given perceptive treatment in abundant clips from Fellini’s masterpiece, 8 1/2. Hanging the film’s myth thread on this central theme allows the film’s director (Damian Pettigrew) to shape and control the unbelievably rich material: all the archival footage, all the clips from other Fellini films, all the interviews including Fellini’s eloquent meditations on aesthetics, women, memory and dreams, all the locations shots, are made to mediate befriend upon the Maestro’s obsession with the feminine, both sacred and pagan. David Denby’s Novel Yorker review accurately sums up the film’s qualities: “I’m a Born Liar is an extraordinarily controlled section of film in its absorb lawful… Pettigrew and his colleagues provide a surrounding texture of film excerpts and freshly shot footage that has the density of one of the Maestro’s gain movies, without the excess.” It is precisely this inquire of of density that initially confounds the casual viewer but the film is nothing if not controlled in its record shaping. 5) Legal from the opening credits, the viewer is given to understand that the film is not at all conceived as an introduction to the Maestro’s work or intended as an overview of his career. Pettigrew wisely avoided using an off-camera narrator to comment on the Italian filmmaker’s historical background (virtually every bio on Fellini has mined this familiar territory anyways), an knowing decision as it allows him for the next 105 minutes to focus squarely on Fellini’s new temperament and his ferocious insatiability. In the words of America’s foremost Fellini scholar, Dr Peter Bondanella: “There is no ask that Pettigrew’s film on Fellini represents the most detailed and lengthy conversation with him ever recorded… and few viewers of this provocative documentary will remain untouched.” (Cineaste Magazine Tumble, 2003) . 6) The film has had a very successful career: it was shown on the Sundance Channel and sold to television worldwide; won the prestigious Banff Rockie Award for Best Arts Documentary (it won over stiff competition from PBS, BBC, and NHK) ; was nominated for Best Documentary at the European Film Awards; made several lists as among the Top Ten Best Non-fiction Films of 2003; has been shown theatrically in over 14 countries; screened at Cannes, Edinburgh, and over 35 major festivals worldwide. 7) I’m a Born Liar functions not only as a clever posthumous couch-trip, it also serves as a “thrilling master-class in aesthetics.” (A.O. Scott, The Modern York Times) In fact, Pettigrew’s achievement is to have crafted a documentary fantasia on film aesthetics that retains the authority of a primary historical document. While the film undoubtedly makes demands on the viewer and forgoes analysis of Fellini’s exceptional work of the 1950s (no doubt due to problems of international copyright), the rewards are many. Highly recommended for the aficionado.

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It’s rare after an artist passes away to earn out anything original about him that surprises and delights you, but this documentary film, which draws heavily on Fellini’s beget work for inspiration and illumination, gives recent insights into the oeuvre he left leisurely. We learn that Federico scripted everything out beforehand, then let the film lead him where it wanted. We learn that, far from fearing women (as he was often accused) Federico cannot imagine a life in which women do not complete the man. We learn that, although famously relentlessly hard on actors and actresses, he in fact adored them, and the puppetmaster wished he could have changed places with the puppets.

This is a significant addition to Felliniana, and a friendly bookend to the legacy he left gradual.